News and Events

Voting now closed for Autumn 2008 Exhibition’s Peoples’ Choice Award

The voting process has closed for the Autumn 2008 Exhibition’s Peoples’ Choice Awards.

Thank you to everyone who voted online. Winners will be announced in the near future.

Last chance to vote for Peoples’ Choice Award

Public voting will close in one weeks’ time on 12 Wednesday, November, 2008. Place your votes via the website before next Wednesday as one lucky member of the voting public to take away a prize, to the value of $500.

Follow the link to the Peoples’ Choice Awards, and follow the instructions to place your vote. Good luck to all artists, poets and Moving Galleries members! The winners will be announced in a few weeks! 

Spring exhibition selection finalised and Moving Galleries appoints new project manager

The Moving Galleries Spring Exhibition selection is finalised and all the poets and artists are being notified. Moving Galleries is full steam ahead getting ready for the roll out of the new season “Innocence” exhibition on Connex trains and you should start seeing the exciting new exhibition on your way to work or play from late November. The art side of the exhibition feature’s children’s’ art made at Artplay in Birrarung Marr, and the poetry selections have been expanded to include longer form poetry in addition to the Rooku.

The move to longer forms is part of Moving Galleries ongoing commitment to keeping the project vibrant and introducing a broader range of forms of poetry to the community. Over the coming exhibitions we will have everything from sonnets to free verse and we encourage those submitting to be innovative in their work (as long as it will fit on a decal). Also, we remain faithful to our original beginnings with short form poetry, or rooku, even as we expand into different forms. Our aim is to be as representative as possible of the type of poetry that is being read and written by Victorians.

Due to the long absence of a Project Manager for the Moving Galleries recently, the Autumn 2009 Creative Spaces short-listed artists and poets’ selection process has had to be put on hold. Jessie Doring the newly appointed Project Manager would like to state her many apologies to all artists and poets who are awaiting the results of the selection process. The new Project Manager is working hard at bringing all projects up to date. Final decisions for the Autumn 2009 selection for Creative Spaces will be announced in the new year of 2009.

Spring 2008 and Autumn 2009 exhibitions selected

In line with Moving Galleries’ incentive to support and strengthen Melbourne’s art community, its upcoming exhibitions will draw artwork from two established programs creating opportunities for artists. ArtPlay and Creative Spaces, in their differing approaches of assistance, will also reflect the diversity of Melbourne’s art organisations.

The spring 2008 exhibition will feature artwork from children’s pieces produced at ArtPlay, located in Birrarung Marr at Federation Square. In accordance to the theme of ‘innocence’, this exhibition will aim to inspire its audience through poetry and art that considers or reflects a sense of wonder at the world, new beginnings and fresh perspectives.

Autumn 2008 exhibition Launch

Art transforming trains seemed a recurrent theme as we launched the Moving Galleries 2008 exhibition last Thursday night at Art Play, the historical red-brick railway shed now converted to a cultural precinct. Located at Birrarung Marr Park along the Yarra, just a short work from the hub of trains at Flinders St Station, the launch was yet another reminder that art and poetry need not confine themselves to traditional spaces. 

The party mingled around the 36 hanging rooku and 18 artworks – little lightning bolts of Melbourne inspired moments – soon to be scattered and dispersed throughout 40 Connex trains for the next 6 months.

As diverse and eclectic as the exhibition itself, the attendees not only represented the range of artistic personalities within the city, but its unusual blend with corporate identities celebrated the very nature of the Moving Galleries project; where business and art work together to ensure Melbourne’s emerging cultural capital status.

CEO of Committee for Melbourne, Sally Capp, highlighted the significance of this collaboration claiming that ‘what differentiates one city from another is the way in which culture moves within its structure, working to shape a city, ultimately giving it its own personality’.

Bruce Hughes, CEO for Connex Melbourne, acknowledged the unlikely partnership between art and trains, but put it simply that, when you’re able to catch a train and ‘enjoy example of cultural creativity provided by some of Melbourne’s best up and coming artists’ then its travel time spent well. 

Winners of the 2007 people’s choice awards were announced as the collaborative art piece You know this isn’t the way home don’t you by Louise Jennison and Gracia Haby, and Rob Scott for the poetry.

At the end of the evening guests were invited to view Melbourne from the nearby ferris wheel, perhaps with a newfound perception of their city after having been immersed in so many creative interpretations.

Moving Galleries in collaboration with established art programs

In line with Moving Galleries’ incentive to support and strengthen Melbourne’s art community, its upcoming exhibitions will draw artwork from two established programs creating opportunities for artists. ArtPlay and Creative Spaces, in their differing approaches of assistance, will also reflect the diversity of Melbourne’s art organisations.

The spring 2008 exhibition will select it artwork from children’s pieces produced at ArtPlay, located in Birrarung Marr at Federation Square. In accordance to the theme of ‘innocence’, this exhibition will aim to inspire its audience through poetry and art that considers or reflects a sense of wonder at the world, new beginnings and fresh perspectives.

ArtPlay was chosen for its mission to enrich the greater community by involving families and their children in creative activities – to give anyone from any background the chance to become a creative citizen of the world. Beyond providing an exciting opportunity for Melbourne’s young artistes to have their work displayed someplace other than the kitchen fridge, we will be indirectly supporting the artists who run the programs.

The autumn 2009 ‘transformation’ exhibition will see Moving Galleries in collaboration with Creative Spaces. In consideration of our own project’s unusual exhibition space, we’re curious to see how Melbourne’s artists are also transforming everyday spaces into unlikely canvasses and showcases for their own work.

Creative Spaces is an online resource for projects that take place outside traditional spaces. It assists artists with the necessary information to get their projects running, providing a number of spaces just waiting to be inflicted with creativity. Our partnership with Creative Spaces will work as a means to document the selected projects in a photographic exhibition. In a city that’s sprouting with creative work in every uncanny corner, wall and crack, this exhibition will highlight what the wandering eye might miss and capture the transitory.

Connex finds beauty in the most unexpected places

Connex is well known for moving people around Melbourne, but did you know that they are also helping to move the profile of the arts in Melbourne? 

As well as its collaboration with the Committee for Melbourne to deliver the Moving Galleries project (which you can read about in this e-newsletter), Connex has positioned itself as a key supporter of the arts through sponsorship of Heide Museum of Modern Art. The partnership enters its third year in 2008, and sponsors regular exhibitions by established artists. 

Connex is eager to foster the talents of emerging artists, too by sponsoring the Australian Academy of Design poster prize competition, which is open to TAFE and year 10-12 students.

So why would a rail operator take an interest in the arts, you ask?

Bruce Hughes, Connex’s CEO, explains, “We don’t want to just trot out the ‘corporate responsibility’ line. It’s more than that. Melbourne is known for its vibrant arts scene, and Connex is an integral part of Melbourne… it’s a natural association.

“By supporting organisations like Heide Museum of Modern Art, the Australian Academy of Design and Moving Galleries, we are cultivating strong and healthy communities, fostering the talents of emerging and established artists, as well as engaging with people who enjoy the arts,” says Bruce.

Connex is engaging with the arts in Melbourne on every level – by supporting budding artists, as a moving exhibition space through the Moving Galleries project, and in its sponsorship of uniquely Melbourne galleries such as Heide Museum of Modern Art.

Not forgetting, of course, that Connex continues to transport art-lovers to galleries and exhibitions spaces all over Melbourne.

The Australian Poetry Centre

Coming up to its first birthday this June, the Australian Poetry Centre (APC) is feeling excited about its future, even though it is really only funded to the end of this calendar year, as part of a 2 year start up grant from CAL. 

The Centre grew out of the vision of Ron Pretty and CAL (Copyright Agency Limited) and aims to be a national information and advocacy centre for the support of the art form of poetry.

In its first year it has developed a program that aims to support poets, poetry audiences, poetry publishers and poetry teachers. It aims to provide information for those coming from overseas and Australia about what is happening in poetry in Australia – where one could go for a reading, for poetry assessments and dialogue about poetry.

It’s Patron John Clarke, and Chair Professor Chris Wallace-Crabbe are committed to demystifying poetry and bringing it to a wider audience. One of the key programs the centre has is its upcoming national poetry festival to be held in Castlemaine this Anzac weekend. The festival brings acclaimed international poets, regional poets and poets from every state in Australia together to read discuss and breathe poetry. International poets this year include Sam Hammil and Lorna Crozier.  The town itself will come alive over three days with travelling pedlar poets, Leonard Cohen films, late night troubadour’s crooning over cocktails, poetry readings at the dawn service, Poetry tattoos and the installation that the centre created at the last Melbourne Writers Festival – The House of the Tragic Poet - will be placed in the centre of town.

Apart from this festival, which will move to a regional town in a different state next year, the centre will be hosting the Festival Franco-anglais de poesie in October 2008 - for the first time in 30 years outside of Paris - along with a poetry publishers market.

The APC has developed publishing, residential and workshop programs with Varuna and Bundanon.  It also publishes the leading Australian poetry journal, Blue Dog; Australian Poetry.

For more information on these or other APC programs see
http://www.australianpoetrycentre.org.au

How to write poetry

A few suggestions:

• The sound and rhythm of the words – the MUSICALITY – is important.  ‘The sound should seem an echo to the sense’ (Alexander Pope).
• Write about what MATTERS most to you, right at the centre of yourself.
• AVOID clichés.
• DISTIL the language.
• SHOW, don’t tell, i.e. rather than saying “I feel happy”, describe the feeling (“I have a bird dancing in my chest”…)
• You can write poetry about ANYTHING.
• READ good poetry. 
• Then forget all the rules and just WRITE.

Click here to go to the Moving Galleries Submissions page for information on how to submit your poem.

Experiences, influences and advice

A writer of poetry, short stories and novels, Michael de Valle’s poetry has featured in both the Moving Galleries pilot and the Spring 2007 Exhibition. Moving Galleries editor, and poet, Lea Hills, approached Michael to discuss his influences.

LH: What sort of experiences do you draw on in your writing?

MdV: Sometimes I draw on my own experiences as a starting point, but more often my writing comes out of human observation and circumstance - being open to those moments and details that make us truly human:

terminal
she starts to rewrite
her diary

nativity play
an angel
picks her nose

I also draw on my observations of nature because I’m interested in how we interact as humans with our environment, in particular how we relate to animals, insects, birds and plants:

hospital courtyard
told he won’t go home
he watches a butterfly

our old dog
buried in the garden
with all her bones

LH: Being a stay-at-home dad, how does this influence your work?

MdV: I’ve always been interested in writing about the extraordinary moments to be found in ‘ordinary’ life. Being a stay-at-home dad is great because I’ve been able to develop a deeper relationship with my sons and a better understanding of what is really important in our lives together. It feeds my writing because I get to observe my children at close quarters, the way they interact with the world, their relationships, their dreams and aspirations.

The horizon of his dreams

(for Jack)

He’s flying again
nose-diving
under cloud coloured ceilings
banking left
of the fluorescent sun
taking the room
with me
blowing raspberries
for an engine.

He casts an eagle shadow
across the archipelago
of furniture and toys
shoots down his mother
in a volley of giggles
circles the kitchen table
a reconnaissance above suburbs
of saucers, cups and plates
sets his flight path
for the horizon of his dreams
with me
following in tight formation
the holding pattern
beneath his wings

This is flight training
for us both
he knows I’d never let him go
just as I know
eventually
he’ll let go of me

LH: Thoughts on love?

MdV: To me, love is as much a choice as it is an emotion. And love is behind some of the hardest choices we make:

together again
under the bed
her shoes and mine

after she leaves
a hair on the pillow
curled into a question

LH: Have you any advice for aspiring poets?

MdV: I don’t know if I have any real advice for poets except that, like all artists and writers, right now we need them more than ever. In many respects they voice the conscience of the world. It’s no coincidence that when dictators come to power they go after the artists, writers, poets and intellectuals first.

A poet I greatly admire is Charles Bukowski. His poetry is written in the accessible language of the ordinary man and he wrote about his life with unflinching honesty. A few years ago I wrote a poem called ‘how to be a poet’ as both a send up and a salute to him:

How to be a poet
(with apologies to charles bukowski)

first get a job
no shame in that
it’s always good to eat
and pay the rent
with something left over
for paper, pens and beer
or a nice piece of ass

stay up all night
drink a lot
and then some more
and bathe when you can
no longer stand yourself

allow your heart

to be broken and fixed
again and again
make loneliness a friend
let the world crap on you
from a height
everything is
‘grist for the mill’

and write
you’ve got to write
but keep it in perspective
remember these are poems
they don’t have the power
of money, guns or bombs
if they did
bin laden would have
written bush a sonnet

look for the poetic instance
in the great works
the universe
late night tv
the supermarket
or a nice piece of ass

and when you find it
you must write it
like it’s never been written
or said
you must put the words together
again and again
for the first time

To see Michael de Valle’s poetry and biography click here

Supporting young, emerging and established artists: Kings ARI

Artists Siri Hayes and Victoria Bennett are representing Kings ARI in Moving Galleries Spring 2007 Exhibition

Located in the heart of Melbourne’s CBD, Kings Artist-run Initiative aims to present the best in contemporary arts practice. The gallery on the first floor comprises two large exhibition spaces, plus a purpose built video projection room with surround-sound. Kings ARI promotes ideas-based practices and curated projects. Proposals are accepted on artistic merit with a preference for showcasing emerging talent and providing a venue for established artists to experiment and take risks.

KINGS is currently looking for volunteers please contact the gallery to register your interest.

KINGS ARI: Level 1/171 King St Melbourne Vic 3000, phone: 03 9642 0859, email: info@kingsartistrun.com.au, web: http://www.kingsartistrun.com.au

Hours: 3 - 6pm Wednesday – Friday, 12 - 6pm Saturday and by appointment

Coming up at Kings….

Opening 6 – 8pm Friday 15 February. Exhibition runs 15 February – 8 March
GALLERY 1: Hadyn Salmon
GALLERY 2: Kelley Doley
AV GALLERY: Amanda Watson-Hill

Opening 6 – 8pm Friday 14 March. Exhibition runs 14 March – 5 April
GALLERY 1: Amanda Schembri (Moving Galleries artist 2007)
GALLERY 2: Andrew Gutteridge
AV GALLERY: Marian Tubbs

The iconic Melbourne Poets Union

Melbourne Poets Union (MPU) was formed in 1977 as the ‘Poets Union’, and other branches were subsequently formed throughout Australia. A non-profit organisation, staffed by volunteers, MPU promotes the writing of poetry by providing a meeting place for poets - through poetry workshops and readings - and a forum for news, discussion and publication via our newsletter POAM, our website and other publications.

Each year MPU conducts an international poetry competition, which attracts in excess of 600 entries. MPU has over 250 members including both emerging and established poets who write and perform in all forms of poetry, a number of its members living interstate.
We are an inclusive organisation with strong representation from culturally diverse sections of the community, the annual bilingual event proving very popular. All events are open to the public and non-member poets are encouraged to participate in the Open Reading section.

We have a commitment to encouraging the participation of young poets, and experienced members provide support to new members. We are proud that so far 22 members of MPU have had poems displayed on Melbourne’s trains as part of the Moving Galleries exhibitions.

MPU events are conducted on the last Friday of the month at the Victorian Writers Centre, Nicholas Building 37 Swanston St. For further details consult our website: http://home.vicnet.net.au/~mpuinc/MPU/Home.html or contact us at: mpuinc@yahoo.com

History blesses Moving Galleries

image

If an idea has a future, it often has a past.

The first decorated tram in Melbourne was painted for a First World War recruitment drive in around 1914. Trams have been painted for advertising purposes since then but poetry and art boarded the public transport system last.

Melbourne’s trams hosted a few photocopied poetry series from the 1970 onwards. In 1986, professional artists were funded to paint the exterior of 12, W-class trams. In 1993 and 1995, two printed collections of poetry and art were placed inside trams and across train station platforms.

It is a poetic coincidence that the first of these series was called Moving Words.

Like the coordinators of Moving Galleries, the coordinators of these earlier exhibitions - Richard Foxworthy, Dean Frenkel and I - were inspired by the sight of poetry on London’s Underground.

In 1993, Moving Words placed 150 self-adhesive, vinyl posters carrying 150 poems and extracts from contemporary Australian writers inside 150 trams, for six to 12 months.

In the midst of a mini recession, we persuaded 100 different businesses around Melbourne to sponsor poems. Cafes on Brunswick street chose a poem for route 112. Larger corporations, including Penguin Books, sponsored several poems scattered across Melbourne.

In 1995, Art on the Met was sponsored by the Met, the Australia Council and the Yellow Pages. It placed 50 x 4 types of self-adhesive posters inside 200 trams and 50 x 4, A2 posters on train station platforms around Melbourne for six months. Each different poster carried one art work and three or four poetry pieces.

The public transport corporation provided the space and placement but we had to raise money for the selection, design, printing and promotion processes. The Australia Council gave us money to pay the artists better. We donated our time.

We got positive feedback for years afterwards. Some posters stayed up for almost two years, I suspect because tramways staff liked them. Travellers loved them.

It only seems more important today to give people alternatives to advertising in public spaces. Art humanises public space. It gives without asking people to buy. It encourages people to raise their eyes. It gives travellers a more emotional journey.

I congratulate everyone involved with Moving Galleries and am delighted it has become a part of moving Melbourne.

Andrew Bock
andrew@oceancalendars.com.au

What is rooku?

Rooku is an Australian variant of the short Japanese form called haiku, but without the usual rules. Rooku also lends itself to humour. Want to learn how to rooku? Melbourne poet Myron Lysenko has created a wonderful guide to writing rooku.